John "Enger" Cheng serves as creative director of Inheritance. He is a Los Angeles-based artist, designer and illustrator. He graduated from the University of Southern California Roski School of Fine Arts and is co-founder of Winnow+Glean. You can see his illustrative work and store at madebyenger.com.
Dear Mommy and Deddy, Remember those months as a college senior when I told you about becoming a campus minister? We talked for hours before my graduation about joining staff with InterVarsity Christian Fellowship.
I grew up watching white people on TV. White families on popular sitcoms always interested me because of how different they were culturally from my own family culture. I often asked my mom why we couldn’t have casseroles for dinner or why we didn’t go on family vacations.
I am in Columbia, Missouri, sitting in a beautiful sanctuary with rows upon rows of chairs filled with people. Voices, instruments, and spirits blend together to create the ideal Sunday worship. People are standing, some lifting their hands, while others are silently taking it all in.
I arrived late for the opening worship of a conference for second-generation (and beyond) Korean American pastors and church leaders. Instead of quietly sneaking into the sanctuary, I found myself hesitating to go in.
My soul was riveted as I read the story of Marie in Madeleine Thien’s “Do Not Say We Have Nothing”. Marie was a Chinese Canadian who grew up with an absent father. The reason behind his trek back to China was a mystery — that is, until the unexpected arrival of the daughter of one of her father’s closest confidantes.
“Your cousin Smriti told us that we were less like husband and wife and more like best friends when we stayed with her in Delhi,” my mother told me after my parents’ most recent visit to India. “That’s sweet!” I exclaimed, surprised at this sentimentality from my cousin.
It was a Thursday morning when I heard. I had been getting ready for work. I was looking forward to the weekend because my wife, Ellen, and I were going to a friend’s wedding in Minnesota. We planned to visit my parents while we were in the state. In preparation, I gathered a few things to bring with us, including some enlargements of our wedding photos for my mother and a book for my dad.
There’s a “mascot” for my music: a nocturnal creature. It is often depicted by a silhouette of a raven. A nocturnal creature is a name I’ve given myself. The mascot not only describes my nature of staying up really late at night, but also describes the focus of most of my songs: loneliness.
Before the wake began, my cousins and I watched as my mother, her older sister, and her younger brother prayed together as a family. Suddenly, my mom started to pray eloquently in our regional dialect. Something was happening; my mother didn’t generally pray publicly or spontaneously.
“June was already 30 when she immigrated to America. She was married in China and moved here because of her husband. She wasn’t working when she decided to send her son to China, but she wanted to learn English, attend college, and go to nursing school. All that meant she would have homework and need to spend a lot of time studying.
“Those affected by mass incarceration.” That could be you. That chair you’re sitting on. Where was it made? Those streets you avoid. Those people you’re afraid of. Scared of. Scared of what? And why?
Eddy Zheng is often invited to community organizations or churches to share his redemptive story from prison to re-entry. It is incredible to hear how much Eddy has changed in his lifetime amidst daunting circumstances and the length of time he has had to fight for his freedom. But in certain church settings, after giving his talk, Eddy has been met with distrust, rather than open arms.
“Today we are at day 356 of detention. August 29th is his one-year anniversary since he was picked up by ICE,” Montha Chum says of her brother, Chamroeun Phan, who she calls Shorty. “Not much has changed, it’s just the Board of Immigration that has to make a decision.”
AROUND 2:40 A.M. on September 4, 1977, 17-year old Melvin Yu and two other members of the Joe Boys gang, all heavily armed, stormed the Golden Dragon Restaurant in San Francisco’s Chinatown. They’d been tipped off about the whereabouts of the leaders of two gangs allied against them, the Wah Ching and the Hop Sing Boys.
My family arrived in Houston, Texas after fleeing Cambodia and Vietnam in the mid-70s. We had lived in Cambodia, Vietnam, and Thailand, but it was difficult to cope with having to begin our lives again in a new land. My father, in particular, had an especially hard time. A former soldier in Lon Nol’s army, he had a violent temper that often meant trouble for my older siblings.
During my second year of law school, I got the last spot for a winter clinical course that allowed students to represent a prisoner with a life sentence before the Massachusetts Parole Board. The client I was paired up with for the next three months was supposed to be one of the toughest on our roster — an inmate notorious for his capricious temper, set to face his third parole hearing.
Oh Creator, Redeemer Sovereign Lord and Savior Where are you on this street Where I live Where you live
Dear Mommy and Deddy, Remember those months as a college senior when I told you about becoming a campus minister? We talked for hours before my graduation about joining staff with InterVarsity Christian Fellowship.
I grew up watching white people on TV. White families on popular sitcoms always interested me because of how different they were culturally from my own family culture. I often asked my mom why we couldn’t have casseroles for dinner or why we didn’t go on family vacations.
I am in Columbia, Missouri, sitting in a beautiful sanctuary with rows upon rows of chairs filled with people. Voices, instruments, and spirits blend together to create the ideal Sunday worship. People are standing, some lifting their hands, while others are silently taking it all in.
I arrived late for the opening worship of a conference for second-generation (and beyond) Korean American pastors and church leaders. Instead of quietly sneaking into the sanctuary, I found myself hesitating to go in.
My soul was riveted as I read the story of Marie in Madeleine Thien’s “Do Not Say We Have Nothing”. Marie was a Chinese Canadian who grew up with an absent father. The reason behind his trek back to China was a mystery — that is, until the unexpected arrival of the daughter of one of her father’s closest confidantes.
“Your cousin Smriti told us that we were less like husband and wife and more like best friends when we stayed with her in Delhi,” my mother told me after my parents’ most recent visit to India. “That’s sweet!” I exclaimed, surprised at this sentimentality from my cousin.
It was a Thursday morning when I heard. I had been getting ready for work. I was looking forward to the weekend because my wife, Ellen, and I were going to a friend’s wedding in Minnesota. We planned to visit my parents while we were in the state. In preparation, I gathered a few things to bring with us, including some enlargements of our wedding photos for my mother and a book for my dad.
There’s a “mascot” for my music: a nocturnal creature. It is often depicted by a silhouette of a raven. A nocturnal creature is a name I’ve given myself. The mascot not only describes my nature of staying up really late at night, but also describes the focus of most of my songs: loneliness.
Before the wake began, my cousins and I watched as my mother, her older sister, and her younger brother prayed together as a family. Suddenly, my mom started to pray eloquently in our regional dialect. Something was happening; my mother didn’t generally pray publicly or spontaneously.
“June was already 30 when she immigrated to America. She was married in China and moved here because of her husband. She wasn’t working when she decided to send her son to China, but she wanted to learn English, attend college, and go to nursing school. All that meant she would have homework and need to spend a lot of time studying.
“Those affected by mass incarceration.” That could be you. That chair you’re sitting on. Where was it made? Those streets you avoid. Those people you’re afraid of. Scared of. Scared of what? And why?
Eddy Zheng is often invited to community organizations or churches to share his redemptive story from prison to re-entry. It is incredible to hear how much Eddy has changed in his lifetime amidst daunting circumstances and the length of time he has had to fight for his freedom. But in certain church settings, after giving his talk, Eddy has been met with distrust, rather than open arms.
“Today we are at day 356 of detention. August 29th is his one-year anniversary since he was picked up by ICE,” Montha Chum says of her brother, Chamroeun Phan, who she calls Shorty. “Not much has changed, it’s just the Board of Immigration that has to make a decision.”
AROUND 2:40 A.M. on September 4, 1977, 17-year old Melvin Yu and two other members of the Joe Boys gang, all heavily armed, stormed the Golden Dragon Restaurant in San Francisco’s Chinatown. They’d been tipped off about the whereabouts of the leaders of two gangs allied against them, the Wah Ching and the Hop Sing Boys.
My family arrived in Houston, Texas after fleeing Cambodia and Vietnam in the mid-70s. We had lived in Cambodia, Vietnam, and Thailand, but it was difficult to cope with having to begin our lives again in a new land. My father, in particular, had an especially hard time. A former soldier in Lon Nol’s army, he had a violent temper that often meant trouble for my older siblings.
During my second year of law school, I got the last spot for a winter clinical course that allowed students to represent a prisoner with a life sentence before the Massachusetts Parole Board. The client I was paired up with for the next three months was supposed to be one of the toughest on our roster — an inmate notorious for his capricious temper, set to face his third parole hearing.
Oh Creator, Redeemer Sovereign Lord and Savior Where are you on this street Where I live Where you live